{"id":6269,"date":"2026-03-19T20:27:58","date_gmt":"2026-03-19T19:27:58","guid":{"rendered":"https:\/\/nederlandsetempeliers.nl\/the-seal\/"},"modified":"2026-03-19T23:24:47","modified_gmt":"2026-03-19T22:24:47","slug":"the-seal","status":"publish","type":"page","link":"https:\/\/nederlandsetempeliers.nl\/en\/the-seal\/","title":{"rendered":"THE SEAL"},"content":{"rendered":"\t\t
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THE SEAL<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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In the legend, the seal bears the Latin inscription:<\/p>

This means: \u201cSeal of the Knights of Christ.\u201d<\/p>

(XPISTI = a medieval abbreviation for Christi \u2014 comparable to the Christogram associated with Constantine the Great, IHSV)<\/p>

The two knights on one horse<\/strong><\/p>

1\ufe0f\u20e3 Poverty of the early Templars
According to tradition, the first knights had so few resources that two brothers shared one horse.<\/p>

2\ufe0f\u20e3 Brotherhood
It symbolizes that a knight never fights alone, but stands as a brother among brothers. Connected, carrying together, never standing alone. Two Templars, one strength. <\/p>

3\ufe0f\u20e3 Dual vocation
Knight and monk. Martial and spiritual. <\/p>

The seal as a declaration
We do not carry ourselves. We are carried.
We do not possess. We share.
We do not stand alone. We are brothers.<\/p>

The official seal of the Order emerged in the earliest phase of the Order, shortly after its foundation, around the years 1120\u20131140. The first known impressions date from this period. Hugues de Payens was the first to use it, followed by his successors. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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The seal was an official instrument.
A seal was not decoration, but:
\u2013 a legal instrument
\u2013 a sign of authority
\u2013 a guarantee of authenticity<\/p>


Responsibility for its use most likely lay with:
\u2013 the leadership of the Order
\u2013 possibly the Grand Master himself
\u2013 or a small circle around him<\/p>


\ud83d\udc49Think of Hugues de Payens and his immediate circle.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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The designer
We have no record of the designer or maker. Not of the engraver, the creator of the matrix, or the one who conceived the image.
In the Middle Ages, craftsmen worked \u201cin service of\u201d \u2014 in service to a monastery, a lord, or a ruler. The work belonged to the community, not to the individual.
It is possible that Hugues, together with the other eight founders, contributed to its design. Bernard of Clairvaux may also have had influence. However, there is no direct evidence for this. <\/p>

Godfrey of Bouillon
There is a story that Godfrey of Bouillon sold his fortress to the bishop of Li\u00e8ge to finance the First Crusade. A crusade was extremely expensive \u2014 equipment, men, travel, everything had to be financed. According to the story, he arrived in the Holy Land so poor that he had to share a horse with another brother.
This story is not accurate. Godfrey did sell possessions to fund his crusade, but the idea that he arrived so poor that he had to share a horse is a romanticized narrative. He remained a high noble with a retinue, including knights, soldiers, and resources. <\/p>


Later developments
Other Templar seals also appeared over time. Another well-known example is the seal depicting the Dome of the Rock. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\ud83d\udc46\ud83c\udffb Medieval image of the Dome of the Rock in Jerusalem, labeled as Templum Salomonis.<\/span><\/p>

\ud83d\udc48\ud83c\udffb Solomon’s Temple according to medieval representation<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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This is the Dome of the Rock in Jerusalem, referred to as Templum Domini \u2014 the Temple of the Lord.
This seal expresses:
we belong to this holy place. <\/p>


There were more.
Each Grand Master possessed a seal used for official documents \u2014 such as Hugues de Payens, Robert de Craon, and Jacques de Molay.
Their seals could show small variations \u2014 sometimes different text or style \u2014 but generally remained within the same visual language. It was not the case that each Grand Master thought: \u201cI will design my own logo.\u201d
The seals were part of the identity of the Order, not personal expression. <\/p>

In addition, individual commanderies also used their own seals. Across Europe \u2014 in France, England, Spain and beyond \u2014 local variants developed. Sometimes simpler in form, sometimes with a cross or inscription, but always connected to the Order of the Temple. <\/p>

There were also functional seals, used for administration and property. Less elaborate in imagery, but no less important in use. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Cord attachment
In the Middle Ages, a seal was not pressed onto paper as we know today. It was attached to it \u2014 a hanging seal.
Medieval documents were written on parchment \u2014 strong, but costly material. At the bottom of the document, a strip was cut, or cords were drawn through. The seal was attached to these.
A narrow strip was cut from the document itself and folded downward.
The warm wax was pressed onto it.
\ud83d\udc49 The seal was literally part of the document.

Small holes were made in the parchment, through which cords (of flax or silk) or flat ribbons were drawn. The seal was attached to these.
\ud83d\udc49 This provided additional strength and status, especially for important documents. <\/p>


A seal was not decoration, but:
\u2013 a signature
\u2013 a guarantee of authenticity
\u2013 a legally binding mark
If the seal broke or was removed, the document was often no longer valid.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Such a document did not lie flat and neat like modern paper.<\/p>


It was:
\u2013 heavy parchment
\u2013 with a seal hanging beneath it
\u2013 sometimes large and thick
\u2013 sometimes damaged by time
\ud83d\udc49 The seal quite literally \u201clived\u201d beneath the document.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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How it worked in practice
First, the attachment was prepared. A strip of parchment or cords was added to the document.
Then melted wax, or a wax mixture, was applied around the strip or cords \u2014 often mixed with resin, making it stronger than simple candle wax.
Next, a seal matrix was used \u2014 sometimes even a counterseal for the reverse side. This created two hard surfaces, That was for the counter-pressure. And that could also have a relief or image. So you have 2 hard surfaces this way.
The whole was then left to cool. The wax hardened, and the seal was fixed around the strip or cords \u2014 not on top of it, but clamped around it. <\/p>


A wax seal was not a thin layer, but a thick disc \u2014 heavy, sometimes several centimeters thick. In some cases, both sides carried an image. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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